Wisdom - Sketches and Line

Lately I've been inspired by the lovely ink and watercolor work of a number of artists. Paired with experimenting with anatomy, I've started a painting utilizing ink and watercolor:



And the sketch:



I'm aiming for more control with my watercolors. Previously I was putting watercolor over detailed graphite drawings, but I also like the effect of watercolor over black ink. The line drawing was done with a G-nib and Holbein black ink.

Goshawk in the Pines

Here is the second of the pair of paintings based on an inspiring quote by Helen Macdonald on her blog Fretmarks, which reads- "And then I thought, decidedly, yes. Goshawks are water. Falcons are air and hot stone. Goshawks are water and wood."



Below is the graphite drawing. Rick Lovell, an illustrator and an instructor of mine at SCAD-Atlanta, pointed out a confusing 'connection' of tail with branch which you can see below. I fixed this previous to starting the finished painting.



I'll admit, although falcons are my favorite raptors, I like this painting more. The falcon painting, which can be seen in my previous post, was on hot-press watercolor paper, whereas the goshawk painting is on cold-press. Hot-press is much smoother and thus is wonderful for tight details, but it comes at a price; paint seems to 'slide' on the surface and doesn't soak in as well. Perhaps I simply need more practice using it. Regardless, I like the way I was able to control the pigment in the goshawk painting better.

Sepia watercolor practice, two watercolor paintings

From most recent to oldest, here are two paintings and a watercolor study I've completed within the past month:

Sky Painter
Watercolor on hot press arches, 4X9 inches


This painting was partially inspired by a quote I read on Helen Macdonald's blog, Fretmarks. The entire blog is quite interesting, though the post linked above, containing the quote, is one of my favorites.

"And then I thought, decidedly, yes. Goshawks are water. Falcons are air and hot stone. Goshawks are water and wood."

The next painting will be the same dimensions, but will feature the goshawk, with water and wood.


Ambition's Flaw
Watercolor and white gouache on cold-press Arches, 8X11 inches


Looking back on the palettes I commonly use, purple and pink are two colors that are definitely lacking. This seemed like as good an excuse as any to experiment with those poor, neglected colors.


Harris and Girl
Sepia watercolor on cold-press arches, about 9X12 inches


Using only one color is a good way to focus on control of the medium and light and dark without having to concentrate on colors. This was an exercise mainly in value in watercolor.